A connected and plugged-in worldview: Young people and new media
HTML
EPUB
XML
PDF

Keywords

The Youth
New Media
Identity
Loss of Identity

Abstract

Considering their enthusiastic adoption and utilisation of the latest media technologies, the question whether today’s (2011) youth is critically aware of, and paying due attention to, the multitude of influences and information that technology transmits into their lives, may legitimately be asked. Questions concerning connectivity, community interaction and peer interaction, identity (and loss of identity) and what the author terms ‘space-time discrepancy’ are raised in this article. The methods by which people (students or other young people) acquire and assimilate new knowledge (epistemologically), process and understand information (cognitively) and create or formulate personal meaning and significance (metaphysically), are all modified and informed by their consumption of new technologies. Therefore, in the pursuit of an ’acceptable’ (by their peers and their community) worldview, young people have to grapple with both the objectively perceived, as well as the subjectively experienced manifestations of the networked world; a world ’immersed’ in new media.
https://doi.org/10.4102/koers.v77i1.27
HTML
EPUB
XML
PDF

Copyright information

  • Ownership of copyright in terms of the Work remains with the authors.
  • The authors retain the non-exclusive right to do anything they wish with the Work, provided attribution is given to the place and detail of original publication, as set out in the official citation of the Work published in the journal. The retained right specifically includes the right to post the Work on the authors’ or their institutions’ websites or institutional repository.

Publication and user license

  • The authors grant the title owner and the publisher an irrevocable license and first right and perpetual subsequent right to (a) publish, reproduce, distribute, display and store the Work in  any form/medium, (b) to translate the Work into other languages, create adaptations, summaries or extracts of the Work or other derivative works based on the Work and exercise all of the rights set forth in (a) above in such translations, adaptations, summaries, extracts and derivative works, (c) to license others to do any or all of the above, and (d) to register the Digital Object Identifier (DOI) for the Definitive Work.
  • The authors acknowledge and accept the user licence under which the Work will  be published as set out in https://creativecommons.org/licenses/by/4.0/ (Creative Commons Attribution License South Africa)
  • The undersigned warrant that they have the authority to license these publication rights and that no portion of the copyright to the Work has been assigned or licensed previously to any other party.

Disclaimer: The publisher, editors and title owner accept no responsibility for any statement made or opinion expressed by any other person in this Work. Consequently, they will not be liable for any loss or damage sustained by any reader as a result of his or her action upon any statement or opinion in this Work. 
In cases where a manuscript is NOT accepted for publication by the editorial board, the portions of this agreement regarding the publishing licensing shall be null and void and the authors will be free to submit this manuscript to any other publication for first publication.

Our copyright policies are author-friendly and protect the rights of our authors and publishing partners.