Abstract
Sittende op ’n klip, bene gekruis, gevly — so kenteken die middeleeuseelmboog op die knie, wang in sy hand Walther von der Vogelweide homself, soword hy in die Manessiese handskrifgeskets, so word hy gekenskets aan dieonkundige student. Of die „bontkraaikleurige” Feirefix, wit en swart geskakeersoos ’n dambord, seun van ’n witvader en ’n swart moeder, snel heldhaftigsy halfbroer Parzival te hulp — endie eerste digter van 'n „ontwikkelingsroman”in Duits, Wolfram von Eschenbach,is reeds gekenteken in sy wildekleurryke fantasie en hoë idealisme.Copyright information
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