Abstract
This is a thirst which all the fountains of the earth cannot quench. Each of these mysterious needs is one side of aperimeter whose complete figure, when we finally perceive it, has one name: GOD" (Bogardt, 1965). In the twentieth cen tury man finally murdered God and found himself ‘ left to live in a world hopeless, forlorn, desperate, frustrated, full of agony .... without an answer to the basic human questions”. When did this modern malaise start? In how far is this devastating new truth of nothingness reflected in the arts?Copyright information
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